Friday, August 23, 2013

Coexisting Modes


In the epic poem Beowulf, one can see how the writer utilizes both the heroic mode and the Christian mode, thus expressing how the two were able to coexist during the 5th century.  In lines 1258-1268 these two modes are seen as Grendel’s mother creeps into the castle in order to avenge her son’s murder and the speaker then explains how Grendel was created. By analyzing this passage the reader is able to better understand, not only the heroic and Christian modes, but also the time period.
            During this section the reader is told that Grendel’s mother, “had been forced down into the fearful waters, / the cold depths, after Cain had killed/ his father’s son” (1260-1262). This relates to the heroic mode because Grendel’s mother is a “monstrous hell-bride” (1259). Monsters are often depicted in epics as “evil-villains” that the hero must overcome in battle in order to obtain status and wealth.  The Christian mode is utilized simultaneously in this passage, which allows for a comparison of the two modes. In the book of Genesis, Cain was the first human to commit murder when he killed his brother Abel; he killed his brother out of jealousy after God praised Abel’s sheep over his crops. However, once God realized that the murder had taken place he cursed Cain from the earth and, according to this passage, from him “sprang misbegotten spirits, among them Grendel” (1265-1266). These two modes are able to coexist because they compliment each other and allow a more complex and intriguing story. Additionally the passage mirrors the time period where Pagans and Christians were able to co-existed, which can be seen in how the writer creates Grendel, a monster, but then uses religion to explain the monster’s origin.
            Throughout the poem one continues to see the various ways in which both the heroic mode and the Christian mode are utilized as Beowulf fights different creatures in order to protect the people.

My question is does anyone think that one of these modes overpowers the other, and if so which one?

2 comments:

  1. Anna, your analysis is solid and the passage you chose is certainly one of the clearest examples of the contrasting modes. I like your use of quotes and certainly want you to keep using those in future blogs. Your question is solid, although in the future at least a couple of questions (they can even be connected) is desirable in these blogs. Definitely a good question for discussion today though.

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  2. Anna, this blog post was well thought out and I thought it was great that you connected the Pagans and Christians and how they could coexist in the Anglo-Saxon time period. Also, good use of examples like the story of Cain and Abel.
    When you said an example of heroic mode was when a hero must overcome a villain, but used the description of the villain as your example, it opened up another idea for me that not only heroic quotes and direct times of being heroic could be used as heroic mode examples (I hope that made sense!)
    Also. I believe that the heroic mode overpowers Christian mode because most acts made for good in this poem can be placed under the heroic mode, whereas Christian mode is a little more difficult to place examples under. And references made directly to the Lord are less used than heroic references, showing how heroic mode overshadows Christian mode in "Beowulf".

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